Ricardo Sanguinetti
Bio
Very Brief Biography Ricardo Sanguinetti
Argentine with sixty-odd years of profession, I started as assistant in the Atelier Annemarie Heinrich-Alvaro Sol. I perfected in Germany (Adox Fotowerke-Bavaria State School for Photography) and circulated through the UBA – in the Chemistry Degree. The UBA of the 60s were glorious. My takeoff as a photographer began recording works of thermal and atomic power plants, aqueducts, and variants. With my own study and the recurring crises of companies that fell in the 80s, I entered in gastronomy, advertising and commercial photography . 2001 my studio is dissolved and I return to the origins, todays Heinrich Sanguinetti Studio. I got into the subject of defending our copyrights since 1970, with colleagues five projects presented that were dormant with half a sanction in Deputies. Teaching took me at FC Buenos Aires and I went through the Argentine School of Photography, Motivarte, and other institutions.
Half analog and half digital live, I still go around with a camera in my pocket.
Statement
Industrial: "Images generated during years of work on large Argentine infrastructure works; the series "Hombres del Hierro" emerged among the documentation of the development of the montage in them." The "Hand of Pedro" is a double exposure on the paper copy.
Nudes: The idea is to ideally be on the other side of a wall, recording the projection of a scene on it. The wall is materialized with a translucent canvas between the camera, the models leaning on the canvas/wall illuminated by lanterns with color filters. When there is an overlap of different lights in some area, the original color of the lanterns is modified.
